GO HOME
Visit European Gallery



       Prev  62  63  64  65  66  67  68  69  70  71   Next
 
 
Prev Artist       Next Artist     

Albrecht Durer Project Drawing oil painting


Project Drawing
Painting ID::  42482
Albrecht Durer
Project Drawing
mk168 391x263mm Pen and ink on paper

   
   
     

Albrecht Durer Lot flees with his family from sodom oil painting


Lot flees with his family from sodom
Painting ID::  42483
Albrecht Durer
Lot flees with his family from sodom
mk168 52x41cm Oil on linden wood

   
   
     

Albrecht Durer The Virgin suckling the Child oil painting


The Virgin suckling the Child
Painting ID::  42484
Albrecht Durer
The Virgin suckling the Child
mk168 24x18cm Oil on linden wood

   
   
     

Albrecht Durer The Virgin and child at a window oil painting


The Virgin and child at a window
Painting ID::  42485
Albrecht Durer
The Virgin and child at a window
mk168 52x41cm Oil on linden wood

   
   
     

Albrecht Durer The Madonna with the Siskin oil painting


The Madonna with the Siskin
Painting ID::  42486
Albrecht Durer
The Madonna with the Siskin
mk168 on a small piece of paper on the table in front of the Virgin.

   
   
     

       Prev  62  63  64  65  66  67  68  69  70  71   Next
Prev Artist       Next Artist     

     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Lundbye, Johan Thomas | Maurice Utrillo | Willem Roelofs |


IntoFineArt Co,.Ltd.